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But I don’t believe it takes away from the experience of watching this film, which is a smart story woven with the right dose of mystery, thrill and suspense. The ending is somewhat anti-climactic and I definitely expected it to make more of a bang (or do I mean splash?).
#Manorama six feet under story explained movie#
The movie may have enough bait to keep viewers interested (but maybe not enough to reel them in?), although a definite lack of pace plagues the characters. It follows an amateur detective in a small sleepy town from Rajasthan who finds himself caught in a web of lies, deceit and murder. The film features Abhay Deol, Raima Sen and Gul Panag in the lead roles.
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Why is the search for truth so important to him that he is willing to stake his own life and that of his loved ones? The symbolism of David taking on Goliath is repeatedly reinforced with the tank full of fish – that big must eat small is the natural order of things and the inescapable jungle raj. Manorama Six Feet Under is a 2007 Indian thriller film directed and co-written by Navdeep Singh. Abhay Deol comes into his own in every way with his classic understated portrayal of the righteous investigator stopping at nothing to excavate the truth, but perhaps the story should have lingered a little on his personal motivations and his angst against the powerful. Raima Sen’s character’s arc feels wholly unnecessary. To speak about the performances, Vinay Tripathi is very satisfactory as Brij, the moustachioed policeman who is determined to keep SV out of trouble, and Nawazuddin Siddiqui is completely wasted but shines as the small-time goon. Manorama Six Feet Under: An Under-Appreciated Neo-Noir Film, With Some Pacing Problems The movie may have enough bait to keep viewers interested, although a definite lack of pace plagues the characters.
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Turns out, the shock factor from the original film is not diluted when it was converted to Indian context. The film takes its own pace to unravel and could have been a much tighter narrative but is helped along with a great background score echoing the folk music of Rajasthan.Īlso read: Abhay Deol on Bollywood & Nawazuddin Siddiqui Manorama, Six Feet Under is well adapted to the Indian milieu with a patient screenplay that evenly spreads itself across the films duration. A slew of characters presents themselves and SV is in the midst of it all – he’s finally the protagonist of his own story in the ever-changing quagmire of the plot, with twists and turns as far from straightforward as the winding desert road. While Abhay Deol’s character, “SV”, thinks he has managed to nail the politician, he soon realizes nothing is as it seems and that only the words “ Manorama, age 32” must make sense to unlock the heart of the mystery. A canal is in the making in the village, a project driven by the irrigation minister but opposed by civil society organisations who believe the promise of water is fraudulent.
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A strange lady arriving at his doorstep with a strange request – that of spying on her husband, the current irrigation minister, to catch him red-handed in the throes of an affair – turns his life upside down and sets him down a dangerous path of deceit and betrayal.